U T E N S I L
Studio Pedagogy Writing Studio Pedagogy Writing Exhibition Utensil Comfort Station, Chicago IL November 6 – December 5, 2021 The work continues the collective and prompted efforts of Alden Burke, Caroline Dahlberg, Mariel Harari, Azalea Henderson, Stephanie Koch, and Maggie Wong. – What is a prompt? A prompt is an invitation to ease into entanglements, a generous permission to act, a container to explore a stretch in thought, a resurrected memory. A prompt is an instruction. A prompt as a transition, bringing us to another space, another other, another self. A prompt as a thought experiment, as sensorial vibrancy, as a meeting of the unexpected. A stretch in thought, the resurrected memory. A prompt also asks: What is at stake, what tools are needed for vulnerability? A prompt can move us. Find a utensil—trace the lengths of your arms; ask someone to trace the length of your arms; ask if you can trace the length of theirs; offer to trace them into the sky; ask if they might do the same for you. A prompt contains self-reflection. Always around the corner is a world of people outside with which to build our collaboration. In becoming research, when we build from prompts, when we work from our conditions, how do we share and reperform with an audience? What are the limits? –Annas Press Review of UTENSIL: Annas’ Exhibition at Comfort Station, By Ally Fouts for Sixty Inches from Center, February 2022.
FOR MEDIUM
Studio Pedagogy Writing Studio Pedagogy Writing Exhibition (selected works) Medium David Sprecher, Bill Wells, Maggie Wong March 14th, 2020 — July 10th, 2021 take care Los Angeles, CA How to get close without eliminating distance? Is this what our technology aspires to? Perhaps it is that our everyday language is abstract, more so than it is given credit for—both too small and too large to pin down specificity. Descriptions slip in time and are tested against the concrete, where they settle on approximation. Within the space of play we find a familiar and specific feeling. A medium of engagement. A call and response from a form of action that resonates in rhythms and rhymes. When presence and absence become one and the same, the field is folded, and form becomes that which inhabits it. It’s there that a mold is made. A mode of production. In this space, to stop making sense is to sense what is made, both for and with one another. – Molly and Brendan Getz
MAKING OUT
Studio Pedagogy Writing Studio Pedagogy Writing Making Out October 2017 SITE Sharp, 37 S Wabash, Chicago IL Press Release MAKING OUT turns the SITE gallery into a space of playful resistance. The work will center around a large installation of bleachers that suggest a high school football field — the kind of bleachers that provide a refuge for clandestine kissing. Making Out fosters radical imagination by constructing a particular, touchable, sometimes functional site for envisioning tenderness. This show is a collaboration by a group of artists known as HIVE. The work is a site of negotiation between power and intimacy. It aims to clarify the question of whether tenderness can resist and alter systemic power structures. This work encourages and explores the practice of making out in the context of institutional subjugation. HIVE intends to remain hopeful via this exploration. HIVE intends, at every step, to acknowledge the possibility that if we keep kissing, we may alter the conditions of our subjugation. At the same time, paradoxically, we humbly acknowledge our helplessness in the face of power: we make out all the same. Several programs and happenings will take place as we explore these ideas with the gallery’s visitors. Some programs take place under the refuge of the bleachers. Some will be available to stream online, as this show is both local and dispersed. In addition to the bleachers, this show includes interactive sound and touch installations, as well as a limited quantity of free zines. Making Out is the first exhibition in SITE Galleries by students in SAIC’s Low-Residency MFA program, which was established in 2014. It is a joint effort by HIVE, a group comprised of class of 2018 Low-Residency students Maggie Wong, Nancy Murphy-Spicer, Morris Fox, Morgan Green, Brendan Getz, and C Alex Clark. We are grateful to the faculty, loved-ones, and remote collaborators who join us in this work. Program OCTOBER 11 — Kissin’ and Kiss-in 4:00 PM Kiss-In We encourage those who are curious about affectionate touch as a form of resistance to attend this event. We will model methods of consent before practicing them through kissing. Participants can kiss in whatever way they are comfortable: on the hand, on the cheek, or more intimately. Here we actively support careful touch, tenderness and communication. Participants may also choose at any time to watch, rather than participate. This action is a sincere and hopeful attempt to evaluate the gallery’s potential as a space of resistance, of inclusion rather than exclusion. It looks to the 90s kiss-ins staged by ACT UP, an AIDS direct action advocacy group. These kiss-ins were meant to combat homophobia and subsequent apathy towards the AIDS crisis. They challenged repressive conventions by publicly affirming queer feeling and desire. Our action takes these tactics, which have been historically effective in the street, and enacts them in the space of the gallery — in the shelter we have built there. We are using these tactics in this case to build notions of empowerment through intimacy, and to fortify tools of consent. We hope that this action serves both as a way to try something new and as a way to honor history. *** Due to the institution’s concerns with health and safety, Hive respectfully altered the program to eliminate participatory kissing. Instead, we modeled our forms of consent that we planned and facilitated a discussion around consent with the event attendees. We feel that the alteration still does not completely fulfill the mission of the intended KIss-In and are looking to see it through in another setting. 5:00 PM, We Won’t Get Bored Kissing Because Time Will Be a Mobius Strip In this lecture, Morgan Green will seriously consider alternative conceptions of time as tools of resistance. She will draw from queer theory and popular media as she clumsily attempts to simulate (pedagogically) the experience of making out forever. A supplementary zine will distributed after the talk. OCTOBER 18 — Digitally Intimate Maggie Wong, MC 4:00 PM Bedsheet Poetry Readings A series of video-cast poetry readings curated by C Alex Clark, who will Skype in to introduce poets, Katie Johnson (Sante Fe, NM) and Bailey Schaumberg (St. Louis, MO). 5:00 PM Drive-In / Kiss-In Movie 1. High School (1968) – Frederick Wisemanfrom min 1:01:49 – 1:10:102. Confrontation: Paris, 1968 – Seymour Drescher min 31:53 to end3. Act Up Chicago “Kiss In” April 1990 (2 min)4. Fast Trip, Long Drop, Greg Bordowitz until min 7:19 “I’m fired up I am kissing everybody!”5. Thumb War – A.K. Burns, 3 min6. Touch Parade – A.K Burns, 9 minAll films are in the public domain and screened via You Tube, Ubu Web, and Vimeo. OCTOBER 25 — Artist Talk with Sarah Schulman For this lunch time talk Hive and the School of the Art Institute’s Visiting Artist Program, and SITE hosted artist, writer, and activist Sarah Schulman under the bleachers. Facilitated by Maggie Wong, the conversation focused on the question “What does having a Kiss-In mean today?” and discussed the ideas of safety, institutional responsibilities, and urgency/radical actions.